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Bringing in Baby: Misbehaviour (12A)

Wednesday 22nd April

Sociable screenings to give parents and carers of babies under 12 months the chance to have a trip to the cinema in a baby-friendly environment.

The Truth (PG)

Saturday 18th - Tuesday 21st April

A warm and quietly moving family portrait and an insightful look at the underlying fabric of parent-child relationships.

Reclaim The Frame: Misbehaviour (12A)

Friday 17th April

Reclaim The Frame is a mission to bring ever-greater audiences to films by women to widen and enrich cinema’s perspective of the world. All welcome.

The Assistant (tbc)

Friday 10th - Thursday 16th April

Fresh from rave Sundance Festival reviews is this searing look at the day in the life of an assistant to a powerful film industry executive.

The Man Who Killed Don Quixote (15)

Friday 10th - Thursday 16th April

Terry Gilliam returns with the realisation of one of his dream projects in this madcap reimagining of Don Quixote.

Military Wives (12A)

Friday 3rd - Thursday 9th April

Plymouth's was one of the very first of the Military Wives Choirs so we are delighted to be screening it here.

Dark Waters (12A)

Friday 3rd - Thursday 9th April

This is the shocking and heroic true story of tenacious attorney Robert Bilott (Ruffalo), who investigates the unexplained deaths of his grandmother's neighbour's cattle.

Bringing in Baby: Military Wives (12A)

Wednesday 8th April

Sociable screenings to give parents and carers of babies under 12 months the chance to have a trip to the cinema in a baby-friendly environment.

True History of the Kelly Gang (18)

Friday 27th March - Thursday 2nd April

Ned Kelly’s story is woven into Australian legend becoming a near-mythical figure in the mould of Jesse James and Robin Hood. Kurzel‘s film delivers a fierce counterpoint to the traditional Kelly legend.

Portrait of a Lady on Fire (15)

Tuesday 31st March - Thursday 2nd April

One of the best films to come out of Cannes last year, this is an exquisite tale of female desire, hidden love, art, and the gaze.

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