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With Tár screening at Plymouth Arts Cinema this week, Helen Tope takes a deep dive into classical music in cinema.
Dramatic swathes of score, larger-than-life personalities – it’s little wonder that cinema has repeatedly turned to classical music for inspiration. While it is hard to imagine Brief Encounter without the romantic swell of Rachmaninov’s Piano Concerto No.2, or A Clockwork Orange without the incongruous insertion of Rossini’s William Tell Overture, where it gets really interesting is when film decides to examine the creators and interpreters of the classical world.... Continue Reading