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Our reviewer Helen Tope revisits Hitchcock's classic.
Sitting in Alfred Hitchcock’s creative high-point, Rear Window is a textbook thriller. While it doesn’t have the psychosexual drama of Vertigo, Rear Window (released in 1954) treads tonally between the rooftop capers of To Catch a Thief and the nail-shredding tension of North by Northwest. In Hitchcock pitching it here, Rear Window raises the cinematic game of cat and mouse to extraordinary heights.
Hitchcock’s scene-setting begins wordlessly. We are in a Greenwich Village apartment; it is high summer New York. The camera pans to a thermometer pushing 90, moving across to ... Continue Reading