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Helen Tope reviews The Goldfinch, showing in our cinema until Thursday 31 October.
Taking a book from page to screen is no easy task. In adapting such a large, complex book, the temptation is to go simpler; to pare down the ideas. But with Donna Tartt’s novel, the level of expectation demands a care and precision beyond the norm.
Published in 2013, Tartt’s novel was a long-awaited return of an author not prone to huge output. With only three novels to her name, including The Secret History, Tartt has created a singular voice that is fiendishly hard to ... Continue Reading